Selected Solo exhibitions

In Constant Use, Tintype Gallery, June – July 2020

Work, Work (co-curator) Tintype Gallery, London, 2nd November – 2nd December 2017.

Stop Bugging Me, Frame 1, Tintype Gallery, 9th September – 10th October 2015.

Ideal Paste, Tintype Gallery, London, April – June 2013.

Adam Gillam, Joe Orton, Kenneth Halliwell, Ancient and Modern, London 2011.

I am definitely coming for longer if I come again. KLERKX, Milan. November 2007 – January 2008

Art is a cupboard. Keith Talent Gallery, London, March 24th - April 29th 2007

 

Selected group exhibitions

It Rose and It Fell, Terrace Gallery, July 2024

Boot, Terrace Gallery, curated by Neil Zakiewicz, May 2022 and Platform A Gallery, 2023

Autumn Attic, Curated by Katie Pratt, Flowers Gallery, August – September 2021

Too Young To Fruit, Wevet Projects, Brighton, July – August 2021

The Order of Things, The Wilson, Cheltenham, 23rd January - 5th March 2017

Abstract Apartment, SPACE Studios, Hackney, 26th – 28th June 2015.

Curator’s Egg Altera Pars, Anthony Reynolds Gallery, February – March 2012, L,ondon

Construction and its shadow, curated by Andrew Bick. Leeds City Art Gallery, December 2010. – June 2011.

Melanchotopia, Witte de With, Rotterdam, September 2011, curated by Nicolaus Schafhausen and Anne- Claire Schmidt.

The thought of stuff, curated by Andy Price, Leila Galloway, Royal Society of British Sculptors, London May 2010 – July 2010.

(Z)Art, curated by Jan Hoet, AbtArt Gallery, Stuttgart, Germany, October 2009- January 2010

Brussels Biennial 1 with FKA Witte De Witt, Rotterdam February 2008

The Way We Work Now, Camden Arts Centre, July - September 2005

Adam Gillam, Sara Mackillop, MOT International, London, February 21st – March 29th 2009

Publications

Melanchotopia, published by Witte de With, Rotterdam, September 2011

Reconstructing the Old House, published by Anglia Ruskin University, ISBN 978-0-907262-73-2

(Z)Art, curated by Jan Hoet ISBN 978-3-942102-00-1

Brussels Biennial, published by Walter Koenig. ISBN 978 – 3 – 86560 – 555 - 9

I am definitely coming for longer if I come again. Text by Melissa Gronlund. ISBN  978-1-85721-387-4

Art is a Cupboard. Keith Talent Gallery. Text by Mark Beasley: ISBN 978-1-85721-379-9 

The Way We Work Now Published by Camden Arts Centre ISBN 1 900470 49 7

The Map Is Not The Territory Part 2 England & Co (ISBN 1 902046 19 6)

The Map Is Not The Territory, England & Co (ISBN 1 902046 129)

 

Selected reviews/interviews

http://www.saturationpoint.org.uk/Order_of_Things.html

Time out  http://www.timeout.com/london/art/event/270342/crazee-golf

This is tomorrow http://www.thisistomorrow.info/viewArticle.aspx?artId=1484&Title=Crazee%20Golf

Melanchotopia in Frieze issue 144 (Jan-Feb 2012) by Esperanza Rosales

Review by Andrew Bick in Kultureflash: http://www.kultureflash.net/eventDetail.aspx?Evt=583-Adam-Gillam-+-Joe-Orton-&-Kenneth-Halliwell

Review by Skye Sherwin: http://www.anothermag.com/current/view/751/Joe_Orton_and_Kenneth_Halliwells_library_books

Review by Morgan Quaintance: http://www.thisistomorrow.info/viewArticle.aspx?artId=658

Review by Caroline McGinn in Time Out, 17th February 2011

Review by Skye Sherwin, The Guardian Guide, 21/1/2011

Review By Alice Jones, The Arts Diary, The Independent, 8/1/2011

The Art Newspaper, December 2010

Dazed, February 2011

This is Leicestershire 31/1/2011 http://www.thisisleicestershire.co.uk/news/Orton-inspired-sculptures-London/article-3161616-detail/article.html

Adam Gillam, Joe Orton, Kenneth Halliwell, Reviewed by Maria Fusco in Frieze, April 2011, page 130

(Z)Art   http://www.z-art.info/pressestimmen.php

I am definitely coming for longer if I come again, reviewed by Ginevra Bria in www.exibart.com , 7th January 2008.

Interview with Caryn Coleman on Suicide Girls June 2007

Brooklyn Rail “Letter from London” Sherman Sam May 2007

(http://brooklynrail.org/2007/5/artseen/letter)

“What Does It All Mean?” Adrian Searle, The Guardian, 26.07.05

“Work Experience” Sarah Kent, Time Out 24.08.05

Pick of The Week, The Guardian July-August 2005

Metro, Monday 25.07.05

“The DIY is cast” Nick Hackworth, Evening Standard 22.07.05

Alison Oldham, Ham-high, 12.08.05

Wandering Rocks reviewed by Helen Sumpter, Time Out 31 01 08

 
Residencies/Fellowships

October 2004                   Triangle Artists Workshop, New York City

May 2004                        Artist Residency, Metropole Galleries, Folkestone, Kent

August 2003                    Braziers International Artist Workshop, Oxfordshire, UK

1998 - 2000                     City and Guilds of London Art School: Research Fellowship